fbpx

Monday Morning Art School: treading-water syndrome

Coast Guard Inspection, oil on archival canvasboard, $435 framed includes shipping and handling in continental US.

Canadian-American mystery writer Charlotte MacLeod coined something she called, ā€˜treading-water syndromeā€™. This was, ā€œpanic at being out of oneā€™s depth. Fear that, if a case did not quickly yield up its secrets, it would remain forever impenetrable.ā€ The character who said that was a middle-age college professor. By putting those words in his experienced mouth, MacLeod was saying that it happens to us all.

Thatā€™s just what happened to me at my first professional plein air event. I was slopping solvent around my underpainting, which made everything dark and muddy. Then I tried to use white to lighten that layer. In fact, I was pretty much breaking every painting rule Iā€™d ever learned. Eventually, a friend came over and brought me up sharp: ā€œCarol, stop this. You know how to paint.ā€ I took a deep breath, wiped out the canvas, and painted the painting properly.

The Wreck of the SS Ethie, oil on canvas, 18X24, $2318 framed, includes shipping and handling in continental US.

My friend Brad Marshall called what I was doing ā€˜flailing around.ā€™ Itā€™s a good description of one way in which we temporarily take leave of our senses. But itā€™s not the only way. Thereā€™s also:

  • Creative block: you suddenly have no ideas at all, or if something occurs to you, it doesnā€™t seem worth pursuing;
  • Obsessing over details: Iā€™ve wrecked some perfectly wonderful paintings doing this;
  • Avoidance or procrastination;
  • Negative self-talk;
  • Imposter syndrome: ā€œWhy did they let me in when thereā€™s so many great painters here?ā€ Bobbi Heath can attest to how many times sheā€™s had to talk me off this cliff;
  • Emotional and physical distress: in moments of stress, Iā€™ve learned to look and sound calm, but my gut always betrays me;
  • Seeking external validation: Thatā€™s not necessarily a bad thing, but it requires that thereā€™s someone around whoā€™s kind-hearted and intelligent enough to give you the right nudge.
Drying Sails, 9X12, oil on canvasboard, $869 framed.

First principles

I just heard a story about a very competent musician who couldnā€™t make it in music. His highs were too high; his lows too low. He essentially never found a way to manage his panic.

One way to get over treading-water syndrome is to get older; youā€™re less inclined to panic in general. Thatā€™s not much comfort to younger people. And there are still times when everyone feels like theyā€™ve lost control. How, then, do you get your ship righted with the least amount of psychic pain?

It helps me to have a plan. I approach painting the same way each time, and if Iā€™m feeling jittery, I slow down on the value drawing until my mind submits. I teach every workshop from a syllabus. Thatā€™s primarily so I know Iā€™ll cover the important stuff. However, when something unexpected happens, I can take a deep breath, return to my notes and keep going.

A plan is just an external support to our cognitive flexibility and self-monitoring. You canā€™t beat it.

Skylarking, 24X36, oil on canvas, $3985 framed includes shipping and handling in continental US.

Eensy weensy bites

As you can imagine, thereā€™s rather a backlog here after Iā€™ve been gone so long. Iā€™m pretty disciplined about studio work before housework, but some of these domestic tasks havenā€™t been done since October. If I try to tackle everything at once, Iā€™m just going back to bed until after the holidays. Instead, Iā€™m going to ignore the big picture and tackle one small thing at a time. Itā€™s my best strategy to avoid total paralysis.

Reserve your spot now for a workshop in 2025: