fbpx

Dogs in art: ten great dog paintings and why I love them

I could easily be a crazy dog lady; instead, I satisfy my dog cravings by carrying pocketsful of dog treats and sharing them out along my morning hike. I also like painting dogs myself; they’re soulful, elegant creatures. But here are ten great dog paintings for your weekend.

El Perro, c. 1819-23, Francisco Goya Museo del Prado,

Writing about Francisco Goya on Wednesday got me thinking of his masterpiece, El Perro. Goya is considered the bridge to modern painting. El Perro has influenced generations of painters, not just because of its bleak representation of vulnerability and isolation, but for its beautifully controlled use of space.

Cave canem Roman mosaic at the entrance to the House of the Tragic Poet in Pompeii, Italy, 1st century AD

Cave canem is Latin for “beware of the dog.” This mosaic makes me smile not just because the idea is timeless, but because the dog looks like he’s more likely to lick your face than to bite.

Homer, 2003, Jamie Wyeth

The Wyeths, père et fil, are great sources of dog paintings. I once had a scruffy Jack Russell terrier who was the spitting image of this fellow. Jamie Wyeth may have been thinking of Winslow Homer, but he’s also caught wet, shivering dog perfectly.

Equinox, 1977, Andrew Wyeth

Andrew Wyeth named his dog after Nell Gwyn, the “pretty, witty” mistress of King Charles II of England and Scotland. The woman was earthy; the dog is aristocratic. But if 17th century portraits are reliable, they shared very pale coloring.

Eos, A Favorite Greyhound of Prince Albert, 1841, Sir Edwin Henry Landseer, courtesy Royal Collection

Sir Edwin Henry Landseer’s most famous dog painting is The Old Shepherd’s Chief Mourner, but I am partial to Eos, A Favorite Greyhound of Prince Albert. The dog, the color structure and the composition are all fantastically elegant.

A Couple of Foxhounds, 1792, George Stubbs, courtesy the Tate

George Stubbs is primarily known as a painter of horses, but he was equally facile with dogs, moose, and the odd kangaroo. This pair seem to be having an almost-human interaction.


A Limier Briquet Hound, c. 1856, Rosa Bonheur, courtesy Metropolitan Museum of Art

Rosa Bonheur is another painter known primarily for animal paintings. I have no idea what a Limier Briquet Hound is, but this fellow looks like my Brittany spaniel buddy, Cody.

Dynamism of a Dog on a Leash, 1912, Giacomo Balla, courtesy of Albright-Knox Art Gallery

I used to see Giacomo Balla’s futurist portrait of a dachshund back in my hometown of Buffalo. Today, motion studies are old hat, but this was a revolutionary idea back before fast cameras. He got it just right; I have a little dachshund friend, Bear, who moves just like this dog.

The Painter and his Pug, 1745, William Hogarth, courtesy the Tate

The Painter and his Pug is a clever 1745 self-portrait-within-a-painting by William Hogarth. His dog, Trump, is sitting in front of the framed self-portrait. Trump lived for 15 years and Hogarth painted him many times; he considered the dog a symbol of his own pugnacious character.

Screened Porch, Robert Bateman, courtesy Art Country Canada

Last but certainly not least is Screened Porch by Canadian painter Robert Bateman (which you can buy in print form here). Anyone who’s ever cohabitated with a dog knows this look. Pathetic.

Reserve your spot now for a workshop in 2025: