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Tag: art career

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What’s your creative block?

The Wave, 9X12, oil on archival canvasboard, $869, includes shipping in continental US.

A creative block is a mental roadblock. You feel stuck, uninspired, and have difficulty concentrating. Your creativity is halted or hindered, and nothing you create meets your standards. We all hit these roadblocks in the creative process.

What creative block do you struggle with?

For me, the worst causes of creative block are overwork, breaks in my routine, and pressing problems crowding out my painting time. But my worst obstacle is clutter. (My engineer husband says he isn’t bothered by it. Go figure.)

Coast Guard Inspection, oil on archival canvasboard, $435 framed includes shipping and handling in continental US.

Here are some other common causes of creative block:

  • Fear of failure, self-doubt and negative feedback (see Monday’s post for help);
  • Perfectionism, which is the enemy of good;
  • External stressors (including for some people, deadlines);
  • Monotony;
  • External distractions. From what many artists have told me, first among these are household chores.
https://www.watch-me-paint.com/product/american-eagle-in-dry-dock/American Eagle in Drydock, 12X16, $1159 unframed includes shipping and handling in continental US.

How do you overcome creative block?

I work at regularly-scheduled times (Monday-Friday). That quiets my squirrel brain, and helps me sink into the painting state more easily.

I also believe in rigorous daily exercise. It’s good for the psyche as well as the back. And for me, deadlines are energizing, at least until they’re too close. There’s a fine line between excitement and panic.

Others have found these ideas helpful:

  • Change up your environment. That’s one of the beauties of plein air; it’s never the same from day to day.
  • Take frequent breaks. Give your brain a chance to recharge. If nothing else, reading the news makes me eager to get back to my easel.
  • Do some creative work that isn’t directly related to your main discipline. That’s why I’m teaching a session on words and art in June, but anything that you enjoy will help. That includes reading, which is a fantastic spur to the imagination.
  • If deadlines panic you, set benchmarks. “Today I’m going to finish the grisaille and then I’ll reward myself with a cappuccino.” Recognizing your smaller accomplishments gives you a sense of momentum.
  • Put ten, and only ten, things away every morning. Five minutes of putting things away every morning stops me from sliding into a big housekeeping binge when I should be painting.
  • Peter Yesis and I both (coincidentally) spent a few years doing small warm-up exercises (fifteen or twenty minutes) before we painted. I no longer need them, but they helped me bridge the gap between real life and my studio during a long period in the creative desert.
Breaking Storm, oil on linen, 30X48, $5579 framed includes shipping and handling in continental US.

Some distractions can’t be ignored

There have been phases in my life (parenting, illness, grief) when my work slowed or even stilled. Yes, I believed at those times that I could never regain my momentum. However, here I am, and if you’re in one of those phases, you will too. It’s helpful to remember that life comes first, no matter what your discipline.

Creative blocks and interruptions are a natural part of life. Be patient with yourself.

I’m in Britain on another lovely, long, blister-inducing hike. I’ve turned my phone off and while I’m gone, Laura will be running the office. Just email me as usual if you have questions or problems registering for a class or workshop. (Who am I kidding? She fixes all that stuff anyway.)

My 2024 workshops:

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Ten ways an art career can drive you nuts

Coast Guard Inspection, oil on archival canvasboard, $435 framed includes shipping and handling in continental US.

“Finishing, mounting, framing, prepping, switching out the last mixed colors on my palette… this art @#$% is a lot of work,” one of my students texted as he prepared for a show.

That’s why my first question to someone who wants to become a professional artist is, “Do you really want to work that hard?” I’m blessed to be able to support myself as an artist, but I’m under no illusion about what goes into a successful art career. Some weeks, very little of my time is spent painting.

Toy Monkey and Candy, oil on archival canvasboard, $435 framed.

Here are the ways an art career can mess with your head:

Financial instability: Many professional artists face financial challenges when starting out. It takes time to establish a reputation and generate a steady income from art sales, but it can be done. Professional artists are the canaries in the coal mine when it’s time for an economic downturn, and they will come. Make sure you have a backup plan.

The need for endless self-promotion: Yes, a successful art career rests on marketing ourselves and our work, and building a brand is crucial for success. But self-promotion is challenging to most normal people. I never want to be the person who says, “But enough about me; how do you like my hair?”

Subjectivity: While there are objective standards by which to judge art, success itself is highly subjective. It may have more to do with your external circumstances (your strong white teeth, who you know, being at the right place at the right time) as the quality of your work.

All of us hate rejection: Yesterday I was texting with a person who was rejected for a show for which I thought he was a shoo-in. We’ve all been there. Over time, we either develop thicker skins or we move on to doing something else, but at times we all complain bitterly about jurying. The wisest of us do it quietly, to our trusted friends.

Back It Up, 6X8, oil on archival canvasboard, $435.

The push and pull of communication and isolation: Art is communication, but creating art is a solitary activity. There’s great tension between needing to talk through our work at the same time as we should be buckling down alone in our studios. (Resolving that tension is one of the benefits of classes and workshops.)

Balancing creativity and commercialism: The professional artist must find a balance between creating art for personal fulfillment and art that sells. Omphaloskepsis is the luxury of the person who doesn’t need to work, but at the same time, there’s no point to churning out lighthouse paintings on black velvet. Your art career needs to find a happy medium.

No job security, no 401K, no PTO: As bad as corporate benefits have become, professional artists are, in comparison, out on the highwire without a net. We work project-to-project, often a year or more before we show our work. Our financial management must be very keen or we’ll be working at Walmart before you can say Jack Robinson, whoever he was.

Constant skill development: You never totally master painting; you just keep refining your skills until your hands fall off. A successful art career requires mastering new technologies and concepts. Staying relevant means continuously leaning into them. The art world bears little resemblance to that of my youth. Overall, I think the changes are great, but they do keep me on my toes.

Brooding Skies, 8X10, oil on archival canvasboard, $522

Constantly foraging for opportunity: Securing exhibition opportunities and commissions is competitive and challenging. Next time you’re debating curling up with a good book or going to that opening, consider your art career and put your shoes on.

That blasted time management: I started writing this because something knocked me for a loop yesterday. I flitted between unrelated tasks all day rather than buckling down to what I had intended to do. Juggling multiple projects is the hardest part of my job.

My 2024 workshops: