Watch Me Paint: World-Class Art, World-Class Instruction
âHistoric Fort Point,â by Carol L. Douglas While it was fresh in my workshop studentsâ minds, I shot pictures showing the step-by-step progression of a painting. I took these while participating in the Third Annual Wet Paint on the Weskeag this past weekend. The site I chose was the ruins of Fort St. George, overlooking Thomaston. Not much remains but …
âKathy reading,â by Carol Douglas (not finished). I met Brad Marshall years ago, when I was active in New York Plein Air Painters. We tried to hold a meet-and-greet in a Czech beer garden in Astoria, but we were washed out by a crashing thunderstorm. In those days, I lived in Rochester, had a crash-pad on the Upper West …
Iâm going to look at this in the studio later and see if I can regain the sense of the Mercantile looming. Shadows, perhaps. My flagging energy has been at war with the calendar. Two weeks from tomorrow I fly to Scotland for a wedding. That pretty much marks the end of my working summer, …
A million quiet moments of beauty are in every vista. (Photo by Sandy Quang) One of the tasks of a plein air painting teacher is to locate painting sites. Not only must they have good subject matter, but they must be safe, have sufficient parking, and give access to a bathroom or a quiet stretch of shrubbery. They should …
Along the Na Pali Coast, oil on canvas, 48X72, by Brad Marshall. I met Brad Marshall on an overpass in Queens many years ago, on the way to a party at the Bohemian Hall & Beer Garden in Astoria. The shindig was drowned by torrential rains but weâve been pals ever since. Besides being a …
The Harvest is Plenty, 36X48, by Carol L. Douglas On Friday I had the opportunity of hearing Dr. James Romaine give a gallery talk at Roberts Wesleyan. He described a piece of art as working in three spheres. There is the materialâyour technical approach to the work. There is the subject. The meaning comes from …
The Mamaroneck River, oil on canvas, by Carol L. Douglas My teaching year ends at the beginning of June, when I start my summer wanderings. So I was conflicted when Vâ contacted me about lessons. She is a well-known lithographer and designer. Normally Iâd jump at the chance to have her join us, but thereâs …
Unfinished, by Carol L Douglas, 16X20, oil on canvas. (The color is distorted because it was dark when I shot this.) Over the past three years, I have become enamored of the luminist paintings of Fitz Henry Lane. That doesnât mean I want to paint like him, but I love the space and light in …
Doodled illumination, by Gail Kellogg Hope My pal Gail Kellogg Hope is home chasing a toddler around. Gailâs a trained artist, with an MA in art education from RIT. Occasionally she gets bored and does something âartyâ although she doesnât have the mental space or energy to paint seriously right now. This is why she …
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Serina Mo and yours truly, filming in Mt. Hope Cemetery. (Photo by Chad Dusenbery.) Yesterday I made a painting tutorial with Serina Mo. This project has been delayed because of equipment problems, so we were running later in the season than we’d intended. Sunday dawned clear, windy and very cold. Iâm accustomed to painting in …