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Road with a view

A million quiet moments of beauty are in every vista. (Photo by Sandy Quang) One of the tasks of a plein air painting teacher is to locate painting sites. Not only must they have good subject matter, but they must be safe, have sufficient parking, and give access to a bathroom or a quiet stretch of shrubbery. They should …

A disciplined talent

Along the Na Pali Coast, oil on canvas, 48X72, by Brad Marshall. I met Brad Marshall on an overpass in Queens many years ago, on the way to a party at the Bohemian Hall & Beer Garden in Astoria. The shindig was drowned by torrential rains but we’ve been pals ever since. Besides being a …

It takes time

The Harvest is Plenty, 36X48, by Carol L. Douglas On Friday I had the opportunity of hearing Dr. James Romaine give a gallery talk at Roberts Wesleyan. He described a piece of art as working in three spheres. There is the material—your technical approach to the work. There is the subject. The meaning comes from …

Hand over fist

Unfinished, by Carol L Douglas, 16X20, oil on canvas. (The color is distorted because it was dark when I shot this.) Over the past three years, I have become enamored of the luminist paintings of Fitz Henry Lane. That doesn’t mean I want to paint like him, but I love the space and light in …

If you don’t have something good to say…

Doodled illumination, by Gail Kellogg Hope  My pal Gail Kellogg Hope is home chasing a toddler around. Gail’s a trained artist, with an MA in art education from RIT. Occasionally she gets bored and does something ‘arty’ although she doesn’t have the mental space or energy to paint seriously right now. This is why she …

Suffering to be beautiful

Serina Mo and yours truly, filming in Mt. Hope Cemetery. (Photo by Chad Dusenbery.) Yesterday I made a painting tutorial with Serina Mo. This project has been delayed because of equipment problems, so we were running later in the season than we’d intended. Sunday dawned clear, windy and very cold. I’m accustomed to painting in …

Color and meaning (color temperature, part 2)

Composition VII, 1913, by Wassily Kandinsky. Three artists arrived at the idea of pure abstraction at roughly the same time: Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich. This was not coincidence; all three believed in the spiritual properties of abstraction, an idea they got from the rich stew of spiritualism swirling around turn-of-the-century Europe. One of …