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The weighing of souls

In which I paint the schooner Mercantile and am reminded that in God’s eyes, all men are equal. Schooner Mercantile in drydock, by Carol L. Douglas I awoke this morning laughing heartily at a chemistry joke. It evaporated as soon as I remembered that what chemistry I know would fit in my wash cup. People …

Flat-packing the landscape

Painting composition is all about ruthless editing. It’s a creative process, and it’s based on seeing. Bill’s Yellow (with Admiration), 2005, Cornelia Foss, Houston Museum of Fine Art Sometimes I hand out little plastic viewfinders to my students. Mine are made of Plexiglas, roughly along the lines of this one. But they are for beginners, …

Full moon over Frenchman Bay

Nocturne by Matthew Menzies, from Sea & Sky 2013. There’s something magical about painting a nocturne over water. It’s even better when there’s a full moon. My calendar tells me we’ll have that opportunity during our third annual Sea & Sky Workshop. Think of magnificent granite slopes at Schoodic Point, silhouettes of Jack Pines against …

The Decline of the Raj

Karl’s Garden, oil on canvasboard, by Carol L. Douglas  In towns like Camden, ME or Freeport, Grand Bahamas there are year-round residents, seasonal residents, and vacationers. Because painters sit or stand like great lumps of coral for long periods of time, people forget that we’re there. That means we often overhear conversation. Anywhere Americans gather …