I haven’t got room for another painting
A good painting can be the anchor for a series of rooms, for generations, in fact. Its color scheme is almost immaterial, as long as it is well-executed and exerts emotional pull.
Watch Me Paint: World-Class Art, World-Class Instruction
A good painting can be the anchor for a series of rooms, for generations, in fact. Its color scheme is almost immaterial, as long as it is well-executed and exerts emotional pull.
“I noticed a boat just off the pier where I was sitting,” pastor Tommy Faulk told us. “As I sat there and watched, I realized there were parts of the boat I hadn’t noticed in my first look. The boat was drifting around the point where it was anchored, making every side visible.”
Feeling stuck happens to all of us at some point. Here are 12 practical suggestions to reignite your learning.
Create a composition using the elements of design Below are five images from Penobscot Bay. Your task is to create a value drawing, arranging elements from the images in a pleasing composition. Don’t try to be photorealistic. Instead, try to make an interesting value drawing by mixing and matching the elements. It’s not necessary to …
Ellipses When drawing round objects, we have to look for the ellipses, which are just elongated circles. Follow along with this tutorial on drawing ellipses. I used a pie plate, but you can adapt it to whatever you have available. If you’re already comfortable measuring and drawing ellipses, skip down past the tutorial to practice …
My top five tips to finish a plein air painting in three hours (and still make it look good).
Drawing is the grammar of art, and color is art’s vocabulary. As with language, we learn them both intuitively and intentionally.
In the past, I threw in the pie crust recipe as a teaser to get people to learn how to draw ellipses. These days, pie crust is a dying art, so that might just be the most important part.
In a world obsessed with rawness, you could do worse than studying the Luminists. Lumber Schooners at Evening on Penobscot Bay, 1863, Fitz Henry Lane, courtesy National Gallery of Art. The setting for this painting is, quite literally, out my back door. Luminism is a distinctly American painting movement of the middle of the 19th century. It was chiefly …
Continue reading “Monday Morning Art School: the power of light”
Clouds have volume and are subject to the rules of perspective. Clouds over Whiteface Mountain, oil on canvasboard, available. Clouds are not flat. The same perspective rules that apply to objects on the ground also apply to objects in the air. We are sometimes misled about that because clouds that appear to be almost overhead are, …
Continue reading “Monday Morning Art School: drawing realistic clouds”