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Field testing my ultra-light pochade box

“Bluebell Hopyard,” by Carol L. Douglas, framed and ready to head out the the VB Brewery, where it will be for sale. $300.

Yesterday I wrote about buildingan ultra-light pochade box. When it was finished, I immediately took it out and field-tested it.

My pal and student Catherine Bullinger has wanted to paint at Bluebell Hopyard all season. This isn’t just a passing fancy: she and her husband run the VB Brewery in Victor and are committed to buying local supplies where possible.

Hops are tall and thin, kind of like my husband.
My back has been bothering me, so I elected to paint sitting down (which I only do infrequently). First mark in favor of the new easel: it works well from a seated position.
Hops are the weirdest darn crop. They have leaves like figs, are related to cannabis, and are perennial. The seed cones have been used to flavor beer since the 11th century.

The seed cones are what give the bitter overtones to beer.
Their bines grow up long, long supports—I would guess they grow 15-20 feet in the air. When the air is still, they stand like temple columns or Italian cypresses, but as soon as the breeze picks up, they dance. Finding a composition that caught the essence of their character was a challenge.
As we painted, the wind picked up. I have a tripod stone bag from my Guerrilla Painter easel, but I never needed to use it—the easel presented less of a sail surface than I expected.

Look at this beauty working!
My only complaint—and it’s manageable—is that the clip left a big unfinished area on the left side of the canvas. I corrected it easily enough, and I think I will use a different method of clipping next time.

The way I had it clipped, the left side needed work when it came off the easel.
The whole thing, including the tripod, fits in my frame backpack, which is a great advantage over my prior easel. Although I thought I’d miss the larger mixing surface, I think the 11X14 area worked just fine.

I will take it to Maine with me on Saturday, although I’ll have another easel as a backup.

Sorry, folks. My workshop in Belfast, ME is sold out. Message me if you want a spot on my waitlist, or information about next year’s programs. Information is available 
here.


Opening day

A happy crowd at the VB Brewery in Victor.
Our student show yesterday was a lovely success—a great turn-out, lively chatter, and lots of wonderful desserts that went surprisingly well with beer. Two paintings have sold and one silent-auction piece (raising money for the Open Door Mission) has exceeded its minimum bid so will sell by the end of the month.
Who knew that Carol Thiel was a twin? (I insisted she and her sister pull out their licenses to prove it.)
I missed my own opening at Bethel’s Aviv Gallery on Friday. I’d called my doctor on Thursday to ask him for an inhaler because I was having trouble breathing. By the time I got back into Rochester, my right leg was swollen and stiff. Combine the two with recent gynecological surgery and your doctor naturally suspects a deep vein thrombosis. This earned me a trip into the emergency room at Rochester General. By the time they concluded that it was coincidence and I’m actually healthy as a horse, it was 8:48 PM and my opening ended at 9.
If you forget a knife with which to cut the cake (which was drooping in the heat) you can always use a pocket knife… as long as it’s not yours, since it will get full of frosting and crumbs.
My deepest apologies to Richmond Futch, Jr. I’d promised him I’d be back from mid-Hudson in time for my opening.
Ilsa Koski, Kim Gorall and Nina Koski. Speedo the Hermit Crab goes to a new home.
Frankly, those few hours on a gurney were the most restful of my week. No way to work in an ER, so you might as well close your eyes and doze off. My greatest ambition today is to read a dumb novel and and enjoy the scent of the lilacs outside my window.
Ancient Roman beer bottle.
There are still a few openings in my 2014 workshop in Belfast, ME. Information is available here.

Doublebooked!

I have two great shows opening next weekend. I hope you can make one or both of them.
Dead Wood, by Carol L. Douglas, 48X36, oil on canvas
God+Man: paintings by Carol L. Douglas
The relationship between God and Man as seen in the built environment.
Aviv Gallery, Bethel Community Church, 321 East Avenue, Rochester NY 14604
Opening June 6, 2014, 6-9 PM
Recurring Night-Deer, Something from a Night-Mare, by Sandy Quang, 18X24
Studio of Carol L Douglas student show
A baker’s dozen of students demonstrating a wide variety of styles and subjects.
The VB Brewery, , 6606 New York 96, Victor, NY 14564.

Opening June 8, 1-4 PM
And on that note, I’m heading downstate to spend the week with my Lower Hudson Valley Plein Air Painter friends! See you next weekend!
There are still a few openings in my 2014 workshop in Belfast, ME. Information is available here.

Come celebrate with us

Still life by Jingwei Yang
Art-making is in some ways a hard slog. You have to be willing to try again after disappointment, you have to be more enamored of the process than the results—most of all, you have to keep doing it to be any good.
Speedo: A Hermit Crab’s Mid-Life Crisis, by Nina Koski.
My students work very hard, and we usually see progress in fits and starts—a wonderful painting glistening on an easel suddenly makes up for the days when it doesn’t seem to be working.
It’s easy to get caught up in the day-to-day and forget the progress that’s being made, until you have the honor of having a collection of work piling up on your dining room table in anticipation of a show.
Pericles and Golli, by Nathan Tomlinson.
 A painting in a frame is like a handsome person who dons a suit; suddenly that painting has gravitas, presence, authority. And I suddenly have a large collection of said paintings waiting to be seen.
Maine shore, by Sandy Quang.
So please join us for the opening of our class show at VB Brewery, Sunday, June 8, from 1 to 4 PM. That’s at 6606 New York 96, Victor, NY 14564. The work will be hanging throughout the month of June.
Deck shoes, by Teressa Ramos.
Come paint with me in Belfast, ME! Information is available here.

The world’s longest winter

Happy times in my Saturday class.
We’re really plein air painters in my studio, and by late March we are fidgeting and whining to go outdoors. This morning it’s 4° F. out there, however, which is how the whole winter has gone. We’re inside and we still must paint. So what do we do? Fish among common household objects, of course, to create still-lives that both challenge and entertain.
Brad painting gift bags.
Nina’s second painting! Whoo hoo!
Nathan and Jingwae are prepping for college, so a reflective glass arrangement suited them. (Carol T. opted for that, too.) Brad and Sandy decided to paint luminescent gift bags. And Nina—just starting her second painting—did a still life of apples in a Chinese antique scoop.
Sandy painting gift bags.
 We’ll be having a student show opening June 1 at VB Brewery in Victor. Mother Nature may be keeping us indoors, but we still must paint.

Nathan painting reflective glassware.

Jingwae painting reflective glassware.
Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!