This is a site that’s intrigued me for several years. It’s a creek that releases into the harbor. Nothing exotic about it, but I love the sense of mystery about what lies behind that bridge.
Boats in a tidal harbor present a dilemma: either you’re on a floating dock moving up and down with the boats, or you’re on land watching them go up and down (and compensating for the constant changes). I prefer to be on the dock. But it makes for an impressionistic painting, since floating docks are constantly rocking and rolling.
There are about a hundred paintings I could do in this location, including this wonderful stone wall.
This is at the end of my first day, about twelve hours into the painting. Frankly, the lighting scheme was more coherent at this point than in my final painting… something that happens when you paint in the same site for two days.
End of my first day painting.
And here is Bruce Bundock with his fine painting of Rye Nature Center—by a fluke hung right above my painting.
Bruce Bundock with his lovely painting of Rye Nature Center.