fbpx

Elegy for a house

I have no idea what the next chapter in this house’s history will be, but for many years it was a haven for New York plein airpainters.
Kaaterskill Falls, by Carol L. Douglas

If the legal system creaks along as it should, an important property will pass out of the plein airworld today. This is Jamie Williams Grossman’s home in Palenville, NY. Jamie is married to New York State Supreme Court Justice Victor G. Grossman. Vic is required to live in his district, which covers Westchester and four other counties. When it came time for them to downsize, it was the Catskill house that had to go.

The house is a long, open structure, originally built as a barn for the farm across the road. Its conversion was top notch—steel stairs, a large open kitchen, and pleasant, airy rooms. The foundation rested on bedrock which intruded poetically into the basement. Along one side of this lower level, Jamie built a long, sunny studio. When she was in residence, so too were her birds.
Clouds over the Catskills, by Carol L. Douglas
To get there, you turned off a local road and dropped sharply down a gravel lane that seemed to peter out in scrub. Even when you knew where you were going, it was easy to miss.
The property is dotted with waterfalls. Some are seasonal. If you felt so inclined, you could hike to one of the more remote ones. The most beautiful passed right under the driveway. Dropping rapidly down from the road, it broke and crashed on huge granite boulders before burbling away in a small stream. I once dropped a palette knife into the water. A year later, Jamie found and returned it, after inscribing it with my name so I wouldn’t lose it again.
Kaaterskill Creek, by Carol L. Douglas
A meadow sits below the house, surrounded on all sides by woods. A venerable old tree crabs Wyeth-like to the sky, skirted by an old stone wall. There was never a shortage of material, but the property itself wasn’t the reason most painters came to stay with Jamie. Her house was minutes away from some of the most storied sites of Hudson River School painting: Platte Clove, Kaaterskill Falls, North-South Lake, and the Pine Orchard, where the Catskill Mountain House once stood. Drive a few minutes more and you were at Cedar Grove, the home and studio of painter Thomas Cole, founder of the Hudson River School. Cross over the river and you were at Olana, the estate of Frederic Edwin Church.
I had the good fortune to be invited back many times. I was not alone. There are always fine artists around when I visited. Sometimes we spent as much time tweaking our gear as painting. It was on a hike up Kaaterskill Falls that Johanne Morin showed me her super-lightweight aluminum easel, which I then copied and have used ever since.
Olana overlook, by Carol L. Douglas
There were men among the painters who gathered there, of course. But the group always seemed weighted toward women. This was the first true sorority of serious, professional women painters I ever knew. I met lifelong friends in Jamie’s creek, and cemented relationships over her table.
I’ll still paint in that area, and I’ll still stop and see Jamie no matter where she is, but it’s the end of an important era in the New York plein air community. Jamie and Vic, from the bottom of my heart, thank you for your years and years of hospitality and support.

Overload

North-South Lake, the Catskills, 9X12, oil on canvasboard, by little ol’ me.
I have been in many spectacular places around the world, but I never realized that one of them is practically in my backyard, and I’ve never seen it before. This is NYS Route 23A in Greene County.
This is most peculiar because I’ve been in Palenville (through which 23A passes) several times to hang with my buddy, painter Jamie Williams Grossman. I guess we just never turned right before.
North-South Lake, the Catskills, 9X12, oil on canvasboard, by little ol’ me (and not quite finished).
Palenville was a center of the Hudson River school. Thomas Cole, Frederic Church, and other notable painters stayed and worked there. (Palenville is also the fictional home of Rip van Winkle, although it’s surprising that he could get any sleep, between the waterfalls, the Great Horned Owls, and the frogs and peepers who sing in the night.)
Rain was on the forecast, but it was a far nicer day than anyone anticipated.
Route 23A passes several of the Catskill High Peaks before dropping into the Hudson Valley via Kaaterskill Clove.  The section I drove today runs along Kaaterskill Creek in the general area made famous by the Hudson River painters. It’s no surprise that they loved it; it’s stupendous: the narrow rock walls vary between green, grey and red, and great boulders are washed in spray as the creek bounces its way down the steep gorge.  
Beavers hard at work everywhere.
We met—a group of sixteen New York Plein Air Painters—at North-South Lake. This was a favorite subject of the Hudson River school, particularly Thomas Cole. For a long time, the prestigious resort hotels in the area made it synonymous with the Catskills.
The park includes the site of the Catskill Mountain House, built in 1823. It was one of the premiere vacation spots of the 19thcentury. Today, all that’s left is the view—miles and miles of the Hudson River at your feet—and the forest paths.
Never one to waste a canvas, Patricia McDermond painted over an unfinished nude, engendering all kinds of comments from bystanders.
Because I’ve never been to this park before, I had to spend some time poking around and looking at things before painting. It was a full day, ending much too soon, and I can’t wait to come back.
Tomorrow we will meet at the trailhead for Kaaterskill Falls, made famous by the Hudson River painters. At 260 feet, it’s impressive, even for someone raised in the shadow of Niagara Falls.

There are still a few openings in my 2014 workshop in Belfast, ME. Information is available here.