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How to paint something that makes no sense

"Coal Seam," by Carol L. Douglas

“Coal Seam,” by Carol L. Douglas
We’ve all had the experience of loving an abstracted landscape painting, only to finally visit the site on which it was painted and realize it was much more realistic than we’d thought. Visiting Ghost Ranch with Georgia O’Keeffe in mind is an excellent example. There are iconic views that make sense no matter who paints them, like Motif Number One in Rockport, MA. On the flip side, there are things that wouldn’t be believable even in the most realistic of styles.
This was the case with the coal seam I painted along the Red Deer River in Canada’s badlands. It’s small, it’s odd, and I like it, even though I’m still not sure I’m finished.
This is what my camera saw of the coal seam. It's an excellent argument for plein air painting.

This is what my camera saw of the coal seam. It’s an excellent argument for plein air painting.
I didn’t finish the painting on-site because the vibrations from the high winds were making my easel unusable. I was shocked to look at my reference painting and see how bleached the place looks in a photo. Those seams of rock were a beautiful cross-play of color in real life.
"Goosefare Reflection," by Carol L. Douglas

“Goosefare Reflection,” by Carol L. Douglas
This summer I painted Goosefare Creek in Ocean Park, ME, which ended up being a similar abstraction. The Goosefare’s mouth changes course with every nor’easter that blows through. That means you can take any artistic liberty you want. I was interested in the sand and its reflection in the wide arc of the stream.

"Sunset off Stonington," by Carol L. Douglas

“Sunset off Stonington,” by Carol L. Douglas
Sunrises and sunsets sometimes seem artificial to me. The one above was painted from the deck of the American Eagle off Stonington, ME. I threw it down in disgust after touching up the colors last week, complaining that I had ruined it.
“What do you do with the ones you don’t like?” a friend asked.
“Swear and get back to work on them,” I answered.
In fact, after a few days not looking at it, I think the light and color are really quite accurate.
"Rain squall on Lake Huron," by Carol L. Douglas

“Rain squall on Lake Huron,” by Carol L. Douglas
I had about fifteen minutes to limb out this storm on Lake Huron before the blowing rain emulsified my paint. Finishing it was just a matter of adding some final coverage. I wouldn’t do more with it, because even though it’s just a few brushstrokes, it tells the viewer everything he needs to know.
There’s something to be said for not jumping in too fast to ‘fix’ a plein air piece. You can easily destroy what’s quirky and wonderful about it because to your tired eyes it looks just wrong.

Intimations of home

"Rail line along Lake Superior," by Carol L. Douglas

“Rail line along Lake Superior,” by Carol L. Douglas
I foolishly flew past the Old Woman River. The towering cliffs of its bay shimmered in the afternoon sunlight. “There’s always something more,” I reminded myself as I went on, but in this instance there wasn’t. That perfect combination of light and air was not to be repeated. Instead, the sun bore into our eyes across the flatness of Lake Superior.
In a moment, I was distracted. “Maples!” I shouted. “Eastern hardwoods!”
“What kind of maples?” Mary asked narrowly.
“Not soft ones, but other than that I can’t tell unless I get a good look at an older tree,” I answered. That’s not easy at 60 MPH, when you’re the driver.
“And you call yourself a tree person,” she sniffed.
Here and there, the eastern mixed forest shows its lovely face.

Here and there, the eastern mixed forest shows its lovely face.
We’ve seen a lot of roadside attractions in our 5300 miles. There was the World’s Biggest Moose, and the World’s Biggest Dinosaur, and Huskie the MuskieWawa, Ontario has not just one but three giant Canada Geese. But to paraphrase Lloyd Bentson, “I know Canada Geese. Sir, you’re no Canada goose I ever saw.” For some inscrutable reason, the geese of Wawa have white plumage.
Sir, you are no Canada goose.

Sir, you are no Canada goose.
Wawa is named after the Ojibwe word for the geese. The Ojibwe were one of the combatants in the war between the Huron and the Iroquois Confederacy, supported by the French and British, respectively. (We now call this the French and Indian War.)
That puts us in the geographical area of the historic Province of Upper Canada, established to accommodate and govern the United Empire Loyalists pouring across the border after the American Revolution. Since that includes the Niagara Region, I am very close to my birthplace.
The Province of Upper Canada, confusingly, is south of the Province of Lower Canada. It’s the same principle that makes Down East the northernmost part of the American coast: place names by navigation, not geography.
The light on the lake made painting impossible.

The light on the lake made painting impossible.
Sault Ste. Marie used to be one city until the War of 1812 firmly fixed the border right through the middle of it. The Soo Locks, which are the greatest inland shipping canal in the world, are located on the American side. This being a strictly-Canadian trip, we didn’t stop.
Instead, we hustled on to Iron Bridge, Ontario, putting us on the Lake Huron coastline. We hope to make Algonquin Provincial Park today. This is where painter Tom Thomson lived, worked and died.