John Slivjak Archives | Carol L. Douglas

August 15, 2018

Reality show

The plein air circuit is full of intrigue and drama, but it’s with Mother Nature, not each other.

Green on green at the VIC, 12X9, Carol L. Douglas. I’m sorry about the terrible lighting in today’s photos.

Chrissy Pahuckithinks there should be a reality show about the plein air circuit. I don’t know that we could gin up enough conflict, although there’s always drama. Sure, John Slivjak is occasionally seen with a beautiful blonde, but everyone knows that’s his wife.

We do our real fighting with Mother Nature. There doesn’t seem to be much energy left for personal conflict. Even though we’re directly competing for prizes and sales, there’s no kneecappingin our sport.

According to contemporary media culture, Lisa BurgerLentz and I should not be friends. She’s liberal and gay, while I’m conservative and evangelical. However, we each have a kid in college, are suffering the same milestone birthday this year, and can’t remember where we put anything. Our inner commonality outweighs our outer differences. I think this is true for most Americans. We may argue on Facebook, but in person, we like each other. The widening gyreis assigned to us by others.

Boreal Life Trail at the VIC, 16X12, Carol L. Douglas.

Lisa and I ran into each other in the parking lot of the Paul Smith’s College VIC. The Adirondack Plein Air Festivalsets aside one day for us to concentrate on painting here, and I’m always eager. The Boreal Life Trail loops through a fen, which is a bog with a stream. It’s lined with tamarack and black spruce. There are orchids, carnivorous plants, and all manner of other strange and wonderful plants. It’s very Arctic in character, which is why it’s one of my favorite places on earth.

We were interviewed there by Todd Moe of North Country Public Radio. He initiated no reality-show skirmishes, concentrating on why we were there instead. The interview airs Friday between 8 and 9 AM, on The Eight O’Clock Hour.

“We should have talked in funny accents,” I lamented later.

“I think you did,” said Lisa. I was born in Buffalo, and you could grind glass with my flattened vowels.

One that got away. I was driving past Lake Clear when I saw this.

I intended to head over to the Wilmington Flume after lunch, but got sidetracked before I even left the fen. This part of the trail is forested, but still on a boardwalk. The earth is still very soggy, as I learned after dropping my glasses into the bog.

“Green on green, heartache on heartache,” I sang. Painting under the forest canopy can be a mess waiting to happen. There is no obvious focal point, no value changes, and no color temperature changes. Everything just glows an unearthly green.

A very unfinished nocturne by little ol’ me.

At my age, a 7:30 PM bedtime seems reasonable. Nocturnes always seem to drag for me. Lisa and I set up on opposite sides of Main Street to paint the glowing Hotel Saranac sign. Rumor around town is that they have the sign wired so they can make it appear to have bulbs out. The result reads “Hot Sara.”

It was midnight before I dragged myself up to bed. In the wee hours, an electrical storm moved across Kiwassa Lake. It was too wonderful to ignore, so I watched it. Another day dawns, and this one is starting to brighten. Keep your powder dry, fellow painters. We still have four more days to go.

August 21, 2017

My tribe is a circus

Love more, forgive more, hug more, and say ‘I’m sorry’ more.

Along Kiwassa Lake, by Carol L. Douglas

Saturday threatened rain, so John Slivjak, Tara Will and Stacy Rogers wisely set up in a bandshell for the Adirondack Plein Air Quick-Draw. I was nearby.

It was not until I bent to fix my umbrella that I noticed a musician setting up equipment on the stage. John, Tara and Stacy just played through, like the professionals they are.

Aside from a little air guitar, John Slivjak, Tara Wills and Stacy Rogers didn’t let a performance distract them. (Photo courtesy of Ann Slivjak)

Friday had been a great opening reception and sale. Still, I had been settling into a bad mood all day. Being doused as I left Town Hall didn’t help. I am not prone to the black dog of depression, but I was questioning my life choices, feeling old, washed up and hopeless. I thought I might be getting a cold. “You’re just overtired,” my husband consoled me.

Friends invited me to go out for a celebratory drink. “No thanks, I’d rather drink alone,” I groused.

Two weeks ago, my husband and I flew to Baltimore to pray with a friend. During Saturday’s Quick-Draw, I got a text from his wife telling me that he was failing. At 1:30 PM my husband called to tell me that Emerson had passed away.

We were in the whirl of an art sale. There was nothing I could do but shut down my feelings and get on with the job. In our brief conversation, my husband told me he’d felt it was coming. I realized then that I had been given the gift of grieving in advance.

Tomatoes, my Quick-Draw from the Festival.

Emerson was a wise old bird. He looked to the state of his own soul rather than fussing at others about their choices. That’s the harder road. It means facing up to our faults, repenting, and resolving to stop our sin cycles. It requires terrifying honesty.

It’s also the only way to be a light of the world. With so few of them around, I found it difficult to understand how God could call home such a powerful saint. Still, Christians get no special pass from the troubles of mankind. We’re just given a powerful tool—grace—to deal with them.

“Death eventually will come for us all,” said Emerson’s friend Mary Beth Robinson. “What we do today affects the legacy we leave. This week perhaps we should strive to love more, forgive more, hug more, say ‘I’m sorry’ more, and simply try to make a mark for good in our little part of the world.”

Part of my posse, 2017: Kari Ganoung Ruiz, me, Tarryl Gabel, Crista Pisano and Laura Martinez-Bianco. All the bling was in footwear this year.

Meanwhile, the reception ground on. A woman asked me if it was fun meeting other artists. I laughed and explained that we are a small community who know most of each other from other events. We’re like circus performers, a distinct tribe of people who labor in obscurity until the day we set up our tent show in your town. I treasure these friendships, and every event I do adds a few more.

The same posse in 2014, with the addition of Mira Fink and Marlene Wiedenbaum. We were younger and more stylin’ then.

Reminded of this, I spent the rest of the afternoon talking to my friends, catching up on their news. A few minutes after we finished, I was on the road again. I pulled over twice to wipe my eyes. I think it was the spruce pollen.

August 16, 2017

What is romanticism?

The next time I need to paint a nocturne, I’m going to a Ford dealership and painting F-150s.

Spruces and pines on the Barnum Brook Trail, by Carol L. Douglas.

Nocturnes are very popular right now, but I suspect I’m not romantic enough for them. I can’t exactly put my finger on what romance in painting means, but I think it involves thinking sensually vs. analytically. Anders Zorn is a romantic painter. Winslow Homeris not (even though he painted some brilliant nocturnes).

I’m not talking about the artistic movement of the 19^thcentury here, but rather the response of the soul to paint. This isn’t a technical distinction or a matter of subject. It’s a question of how we see the world. My old pal Kari Ganoung Ruiz is a wonderful painter of nocturnes. She’s also a very romantic soul. I just keep thinking about how early I must get up in the morning.

Perhaps what I’ve been talking about, above, is sentimentality. Romanticism may be just a question of what we really love. The lonely light in the darkness is a painting of longing. It reminds me of Jay Gatsby staring at the green light at the end of Tom and Daisy’s dock. I’ve read it twice, and I still hate that book.

Young trees, by Carol L. Douglas

Earlier, I’d painted with Lisa Burger-Lentz and John Slivjakat Paul Smith’s VIC. They, like many other painters here at Adirondack Plein Air, are from the greater Philadelphia area. I started a large canvas of rocks, pines and spruces along the Barnum Brook trail. This is a very popular scene, but it’s not my favorite trail in the VIC. I’m usually drawn to the Boreal Life Trail, which runs through a bog.

Vallkulla, 1908, by Anders Zorn (courtesy Wikiart)

I’ve been drawn to baby pines and spruces ever since seeing Anders Zorn: Sweden’s Master Painter in 2014. Zorn treats infant trees with the respect we usually give their towering elders. Tiny trees are everywhere in the forest. They are more than just punctuation marks. Without them, there would be no green at our eye level, because the canopy is far above our heads. Plus, baby trees are cute.

I edited reality to feature two eastern white pines in the foreground where two baby spruces were growing. It didn’t go well, so I stopped and did a small study of young trees. This helped enough that I could go back to my original painting. As in so many things, nature knows best. Spruces worked better there than the white pines, so I put them back where they belonged.

Unfinished, by Carol L. Douglas

As dusk fell, I drove to the local ice cream stand to do the small nocturne, above. This is a terrible photo of a half-finished painting, which possibly needs cropping with a radial arm saw. I hope to set up somewhere today where I have access to my car, so that I can finish it. Really, however, I’m more interested in the pines.