fbpx

Category: interior design

Posted on

A painting to match the couch

Lancaster County, PA, 18X24, by Carol L. Douglas. It’s moving from my own bedroom to our guestroom, where it will better match the pale blue walls and furniture.
Artists kvetch about people who buy paintings to match their sofas, but it is a real consideration. A mismatch will never be to the painting’s or the room’s advantage.
I’ve been putting away work from my Black Friday sale. It’s been an opportunity to rearrange some of the artwork in my house (and, yes, to vacuum). It’s interesting how some paintings look grand against some walls and bland against others.
Autumn floral, 16X20, by Carol L. Douglas. I think I’m going to see what this looks like in my dining room.
I had a mid-century street scene done by a cousin in Tennessee hanging in my living room.  It’s a very accomplished painting, but it never looked good against the pale-turquoise-and-red dĂ©cor. To keep it safe during the sale, I slid it on a hook in my bedroom, which has navy walls and warm accents. Here in a room with fruitwood furniture and a related color scheme, the painting glows.
Where then, to put the high-chroma but abstract landscape that previously was in that spot? With its pale frame and cool colors, it looks far better in our guest room, which has pale blue walls and pale furniture.
And this pastel of geraniums has already relocated to the living room.
Most artists I know own too many paintings, of our own and others. We usually just plop new work on hooks wherever we can. This exercise has been a good reminder that a painting’s inherent value can be obscured by bad interior design.

I will be teaching in Acadia National Park next August. Read all about it here, or download a brochure here. 


Posted on

Feminist design, for real.

An outdoor toilet block in an orphanage in Port-au-Prince, Haiti. No lights, no doors and a pit toilet. (Photo courtesy of Douglas J. Perot)
My friends have gotten a mighty good laugh at Bic’s totally pointless For Her ballpoint pens. But if you think all work of interior and industrial designers is trivial, then consider this story from Delhi, which tells us there is a link between the lack of proper bathrooms and sexual crimes against women.
Women in the Bhalswa neighborhood have the choice of paying a rupee to use a toilet in a communal toilet block, which is one of two serving a thousand households in their neighborhood. When it isn’t open—which is frequently—they are reduced to squatting in a nearby field.
The interior of a pit toilet in an orphanage in Port-au-Prince. Although there are no doors, the orphanage is secured and girls are safe when using it. This is not the case elsewhere in Haiti or many other parts of the world. (Photo courtesy of Douglas J. Perot.)
In either case, the danger of molestation is high. Neighbors estimate the rate of abduction from the toilet blocks to be about one a month, and women using the field are frequently harassed or assaulted by men.
More than half of India’s households don’t have sanitary facilities, and for the lowest-caste Dalits, that percentage is far higher. More Indians have cell phones than toilets. Considering how cheap cell phones are and how expensive bathrooms are, that’s really no surprise.  
Occasionally plein airpainters end up in a situation where they have to relieve themselves outdoors. Any woman who’s done this has a small sense of the vulnerability of the third-world woman without a bathroom.
Sanitary water and sewer lines have enhanced the development of private bathrooms but did not create them. Before there was running water in homes, there was the garderobe, which was a pit toilet that emptied outside the house. 
When we think of “bathroom design” in America today, we think of clever storage, heated towel bars, and granite tiles. But these are very recent innovations. My house was built with one family bathroom containing a tub, commode and pedestal sink, and a half-bath on the ground floor. The doors on both rooms were designed to lock, and the walls were covered with ceramic tile to facilitate cleaning. That was pretty much state-of-the-art in 1928.
A Toto Washlet and its remote control.
Now there is the strange (to our eyes) toilet of Japan, the Toto Washlet and its variations, which are available in 72% of Japanese households. These toilet seats incorporate posterior washing, feminine washing, seat warming and deodorization. Some models raise and lower the seat automatically.
Modern bathrooms did not spring fully-formed from a scientist’s brain. They were created iteratively, starting from the humble outhouse and working forward. Most 20th century improvements were made by industrial designers at the factory level and interior designers at the consumer level, and the quick-and-easy solution that brings universal sanitary facilities to the third world will probably come about in a similar way.


Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!