grief Archives | Carol L. Douglas

December 31, 2021

Love and friendship

A friend is a friend, and love is love, no matter if it comes by airmail or through the internet, or in person.

My mother and her cousin Gabriel on her last trip to Australia.

My brother gave me a thumb drive containing about 500 scanned slides from my childhood. They’re very interesting, but they are largely of an era when my parents still only had three children—my sister Ann, my brother John, and, eventually, toddler me.

They went on to have three more—my brothers David, Robert and Daniel. Then John and Ann died in two separate, horrible accidents. My children have only heard stories about them, so their interest is natural. But I could almost not bear the pain of those photos. They’re gripping images of another life entirely, before my family was blown apart by cataclysm. We were miserable for so many years that I’d almost forgotten that we were once happy.

My brother John, me, and my sister Ann kicking up our feet in the Niagara River.

On the other hand, Doug and I are in Albany with our own four adult children and three grandchildren. They’re nice kids. All of them are productively employed; three of the four are happily married. They love each other enough to want to live in the same city. I understand exactly how blessed I am.

Last year’s blog on this date was called, Joy and tragedy are two sides of the same coin. It was about our first COVID year, but it’s universally true. We lose people we love, and then we gain new people to love. The cycle grows more marked over time, but none of us are immune. Grief is the price we ultimately pay for love.

I have friends who have never escaped the acute phase of grief. I lived there for several decades myself. Faith helps, but it comes with its own questions.

For me, the key to surviving has been to keep my pain in a small box and resolutely look outward and forward. I wasn’t always this way. After my father died, I took on the role of ‘memory keeper.’

Our lovely boat, now long gone, on the wall at Rich Marine in Buffalo.

Eventually, I realized that I didn’t need to do that. Happiness wasn’t somehow disloyal to the past. If there is omniscience from beyond the grave (and I doubt that, on theological grounds), I don’t think they’d want me to be permanently miserable.

My husband and I don’t exchange Christmas gifts. Now that our kids are grown, there’s seldom anything under our tree. This year, however, I received a package from one of my online students. It contained a cute little ornament that looks just like me. There was also a package marked ‘do not open until Christmas.’ It was squishy and for some reason I decided that it was a stollen.

I was wrong; it was a collection of fine oil-painting brushes from a group of my online students. To say I was speechless, shocked and moved is an understatement. I couldn’t imagine why anyone would give me such a lovely gift. “We call that being ‘surprised with love,’” said the instigator.

I haven’t met all these students ‘in the real world.’ I’m no longer certain that such a distinction even exists. The line between real-world and internet contact is now so blurred as to be almost meaningless.

You young’uns may have never seen an airmail letter. It was a thin, parchment paper and you filled every inch of it with script, because it was expensive to mail. (Courtesy ebay)

My mother and her cousin-in-law in Australia wrote to each other for five decades, starting in the early 1960s. They never met in person until middle age, but they were always friends; decades of indirect contact forged intimate relationship.

I remember telling my youngest that his online friendships were not ‘real’. I’m afraid I owe him an apology. A friend is a friend, and love is love, no matter if it comes by airmail or through the internet, or in person.

In a few minutes, I’m going to head over to my eldest daughter’s house and play with my grandkids and look resolutely forward and outward. Have a blessed, happy new year, my friends.

April 10, 2020

Painting through the dark places

Art has allowed me to look at pain, grief and dislocation obliquely, instead of confronting them head-on.

Carrying the cross, by Carol L. Douglas, courtesy St. Thomas’ Episcopal Church, Rochester, NY.

You may have noticed that I haven’t done much this week. I finally collapsed from the ailment we dragged back from South America. Despite a slew of tests, no pathogen has yet been identified. However, our nurse-practitioner treated the symptoms. I’m almost back in fighting form, albeit very tired. Hopefully, my fellow travelers will recover as quickly.

Yesterday I attended a virtual meeting. One of my fellows, normally a very cheerful woman, was awash with anxiety. “I can’t paint!” she confessed. “I go in my studio and start, and then I go back and turn on CNN.” Later, I asked her if there was anything I could do to help. She elaborated. Her daughter has had COVID-19; she knows a young person currently on a vent and has lost another friend from it. She—like me—is from New York, the epicenter of this disease. That’s where our kids, friends and family are, and there’s nothing we can do to help them.

My heart goes out to her. It’s an awful thing to feel helpless in the face of disaster.

The Curtain of the Temple was Rent, by Carol L. Douglas, courtesy St. Thomas’ Episcopal Church, Rochester, NY.

When we were waiting out our confinement in Buenos Aires, I was thoroughly disinterested in the non-existent landscape. It was not until the end that I decided to start painting what I felt instead of what I saw. That’s not necessarily easy for a realist to do directly (although we’re all doing it indirectly). That’s why I started with the idea of home, and then moved to Blake’s Jerusalemfor inspiration. I could look at my feelings of griefand dislocation obliquely, instead of confronting them head-on.

Twenty years ago, I was asked to do a set of Stations of the Cross for St. Thomas’ Episcopal Church in Rochester, NY. The request was made in the summer; by September I’d been diagnosed with a colon cancer that had perfed the bowel wall and spread to nearby lymph nodes. I had four kids, ages 11 to 3. My primary goal was to stay alive long enough to see them raised.

Finishing an art project seemed almost frivolous in the circumstances. I was especially disinterested in one that dealt with the horrific events leading up to the Crucifixion. That year was a late Easter, too, so by the time Holy Week arrived, I had a rough version finished, which I delivered in book form. (In some ways, I prefer it to the final Stations, for its very rawness.)

Veronica, by Carol L. Douglas, courtesy St. Thomas’ Episcopal Church, Rochester, NY. And before you correct me, I’m perfectly aware that Veronica is medieval fan-fic, but I think it points to a very human need to ameliorate suffering.

I drew in my hospital bed, from my couch, during the hours of chemotherapy. I wouldn’t have told you I was engaged or enthused in the least. When I was well enough, I arranged a massive photoshoot and took reference photos. The final drawings were finished the following year. They weren’t my best work, I thought, but at least they were done.

And yet, and yet… they’ve been in use for two decades since. And every Holy Week, I get a note from a parishioner telling me how much they appreciate them. I’ve certainly gotten more meaningful mail about them than about any other work of art I’ve ever done.

This year, St. Thomas’—like the rest of Christendom—is shuttered, its people observing the rites from afar. I’m not sure how I’m going to approach Good Friday in a season already penitential in the extreme, but there’s something to be said for routine, ritual, habit and movement. That goes for painting as much as for faith.

May God bless you this weekend with a radical new way of seeing things, in Jesus’ name, amen.

December 8, 2016

A deadly inheritance

“Annunciation,” by Carol L. Douglas. That phone call is like a nuclear bomb, only worse.

The work I’d planned for today and tomorrow is off my slate. Instead, I’m driving back to Buffalo for a funeral. Our oldest friend’s youngest child died of a drug overdose on Tuesday night.

I’m not going to speculate on what happened. For one thing, I don’t know. But it’s a tragically common story in our age.

Parents like to believe they can protect their kids from making bad choices. To a degree that’s true, but it’s not totally true. I don’t know a single kid who never did anything monumentally stupid, including mine.

I’ve known three generations of this family. None of the usual bromides apply. When I say that the boy had “every advantage,” I’m not talking about just education or money; I’m talking about love, stability, heritage, and a sense of his place in the world.

“Female,” (detail), by Carol L. Douglas.

If you’re my age, you probably think of recreational drugs as pretty harmless. Back in the 1970s, many of us experimented with them. True, most of us aging hippies have—more or less—our faculties intact, but we’ve left a big mess behind.

We are fools when we look back on our youthful foibles through John Lennon-framed rose-colored glasses. Drugs are a curse on our children’s and grandchildren’s generations. Deaths from opioids and their synthetic analogues have skyrocketed, according to the DEA. Heroin deaths increased 248% from 2010 to 2014. Heroin is more potent and less expensive than ever. Even pot is no longer the mild, friendly drug we once knew.

In the 1970s, the annual drug overdose death rate was fewer than 2 deaths per 100,000 people. In 2014, it was 15 deaths per hundred thousand people. As a cause of accidental death, it is now second only to car crashes.

And that’s just the user side of the problem. On the other side is the violent drug war in our cities that disproportionately claim young black men.

When the Bible talks about “visiting the iniquity of the fathers on the children to the third and the fourth generation,” it isn’t talking about transferring punishment (Scripture says that can’t happen). This boy’s parents never touched drugs themselves. They were so focused on their studies that they sat out the Swinging Seventies, making them a little puzzling to have at parties.

That verse says that sin itself, unless repudiated, will keep on reappearing. Our generation’s casual attitude toward drugs has morphed into a scourge ravaging our young people. Both the middle-class kids who overdose and the ghetto kids caught up drug violence are its victims.

When I argue for a closed border, it’s not to keep undocumented migrants out of the US; it’s to seal off the major heroin routes into the US. But even that won’t work as long as there’s demand.

“Chris in Pink,” by Carol L. Douglas.

Since my own misspent youth, my generation has cheerfully torn away at the underpinnings of our culture. Marriage, work, faith and family have all been tossed into the great maw. They’ve been replaced by self-actualization and sensualism. Is it possible that this leaves our descendants feeling unnecessary, marginalized and devoid of purpose?

To a degree, parents can counter those messages, but the larger culture has a profound influence on our kids. That’s why there are so many upright old ladies in urban churches mourning the loss of their sons and grandsons in the drug war.

For now, kiss your children and tell them you love them. One never knows what one’s tomorrow will bring. And pray. Pray like crazy.

As for me, in the words of my former gangbanger friend, I feel like punching them drug-dealing m—rf—rs in the throat. Nobody expects a left hook from a little old lady.

September 12, 2014

A personal aside

Selbstbildnis, mit der Hand an der Stirn (Self-portrait, hand at the forehead), etching, 1910, by Käthe Kollwitz,

Forty-five years ago, I was at a school pool in Niagara County, New York, when my sister had a brain bleed. She died. With us were my friend S. and her mom, although at the time they seemed tangential to the tragedy that engulfed my family.

It was compounded four years later when my brother—who happened to be S.’s classmate—was killed by a drunk driver.

Sorrowful old man, pencil, black lithographic crayon, wash, white opaque watercolor, on watercolor paper, by Vincent Van Gogh, 1882

We move on. Our flock tends to be made of birds of the same coloration. And I think I’m probably an unmotivated intellectual. Why, just yesterday, I was discussing Steiner and Kandinsky and their daft color theories with three dear friends. This is fun, it’s fluff, and no more or less meaningful than talking football is for other people.

I haven’t seen S. in years, but through the miracle of Facebook, we’re in loose contact.

Last evening, my mom died. I refuse to discuss my grief with anyone, but it is substantial.

And then S. posted this video:

For the first time I understand what it meant to praise God from the depths of grief. That’s wisdom, and it’s a far greater thing than knowledge.

Message me if you want information about next year’s workshops.

April 19, 2013

Count Your Blessings

Man at the blood lab today, sketched by little ol’ me.

I set out each day with a plan. Today (as usual) it had crumbled before 8 AM. My son hasn’t felt well, so instead of heading to my studio, I took him to a lab to have blood drawn.

Between the news from Boston and the news from West, Texas, it’s been a dreadful week. One can barely look away from the news, but focusing on it leaves us feeling deflated. But if faith is the opposite of fear, then this black hole of fear and grief is an unacceptable place for the child of God to linger.

Easer to say than do, egh?

As is my wont, I pulled out my sketchbook to draw. My attention was drawn to a man in the prime of life (in other words, about my age), with alert, intelligent eyes. He was well-dressed and well-groomed. He was also assisted by an aide and wearing a helmet and on a walker. As I sketched him, I pondered what cataclysm had laid him low.

My mother liked to say, “You don’t have to look very far to count your blessings.” She did not mean that we should take pleasure in others’ misfortune, but that around every corner is a person who would rejoice at the blessings we take for granted.

It was a long wait. An elderly man said loudly to his wife, “Now, I’ll have to divorce you.” A bad joke, I thought, between an obviously affectionate and long-married couple. Then I listened closer. Her sharp looks as he talked to the phlebotomist were to catch him before he stumbled, for he was suffering from dementia.

People at the blood lab today, sketched by little ol’ me.

A man came in with his middle-age daughter. He leaned forward and fell asleep as she did a crossword puzzle. Occasionally he would startle awake and say, “It’s slow here today,” and then doze again.

We are all given a choice—we can focus on the grief that swirls around us, or on the gift of life, the enormous mystery and miracle that is the breath we take every few seconds. We can focus on the long line at the phlebotomist’s office, or the fellow travelers sharing the wait with us.

Have a blessed weekend.

There’s still room in this summer’s Maine painting workshops. Check here for more information.