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The Opium Eater, Addendum

Carol L. DouglasOct 10, 20071 min read
A reader sent me two more images of languid women for consideration. Repose (Nonchaloire), John Singer Sargent, 1911, National Gallery of Art, Washington DC http://jssgallery.org/Paintings/Repose_(Nonchaloire).htm Again, look at the hands which bring tension into the pose. The Artist’s Wife and His Setter Dog, Thomas Eakins ca. 1884ā€“89, Metropolitan Museum of Arthttp://www.metmuseum.org/TOAH/hd/eapa/hob_23.139.htm To me this is …
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The Opium Eater

Carol L. DouglasOct 9, 20074 min read
This weekā€™s figure class featured Gail Kellogg Hope modeling a Civil War era gown of her own devising, minus the ruffled hoop. (Readers interested in historic clothing can see Gailā€™s work here.) Because Gailā€™s hair was down and she was recumbent, I thought she looked charmingly like a 19th century laudanum addict. I wanted to …
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Where the movie “Big” was filmed

Carol L. DouglasSep 18, 20072 min read
I just returned from a week downstate. The culmination of this was the seventh annual ā€œPainters on Locationā€ of the Rye Arts Center in Rye, NY. Last year I was overwhelmed by the landscape, the parking, the driving and the event, yet I had a wonderful time. This year, Daisy dePuthod (see her work here) …
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Voila! The new studio.

Carol L. DouglasSep 3, 20071 min read
New studio spaceā€”spacious, with focus spots, color-corrected ambient lighting, and plenty of north daylight (when the sun is shining).The project which consumed my August is finished. Here is my new teaching space, a lovely, calm, graceful room with great light. And here are my fall classes, for those readers in the Rochester area: Studio in …
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Five questions from Paul Abspoel

Carol L. DouglasSep 3, 20076 min read
My friend Paul Abspoel (here) asked me five questions to be answered on this blog. I apologize for the time itā€™s taken, but here are the questions and the answers: Please comment: ā€˜God is an Artist, but his art is not very accessibleā€™ ā€œAccessibleā€ art has a message we easily grasp. Our response to Creation …