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Author: Carol L. Douglas

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Internet meme of the day–girl falls into fountain while texting

Girl falls into fountain while texting, 6X8″, oil on canvas

And the steps to do it, in about an hour:
I start with either a watercolor pencil drawing. Easily erasable with a wet paper towel, allows me to fiddle endlessly with composition.

Then I block in colors and values, very roughly.
Then these shapes are gradually refined until I have to go pick up my son or yell at the dog or answer the phone..
The water reflections were added last. After I raised my phone up on a small support, I poured a pitcher of water over the rest of the stuff.
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Winter evening at Twelve Corners

Winter evening at Twelve Corners, sketch, 12X16 or thereabouts, oil on canvas

I was waiting for my son at Brighton High School and amusing myself by taking photos of the streetlights with a handheld camera. Never thought of the photos as a painting until it was suggested by my friend Pilan. Here it is in an expanded sketch.

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Unicorn with double rainbow (for my kids)


“Unicorn reindeer visiting my front garden with a double rainbow in the background” 8X6, oil on board.

Today for my one-hour still life I returned to an old idea, painting an internet meme. I could find only half the props needed for “baby monkey riding on a pig,” so I fell back on that old standard, “unicorn” and added a newer element, the “double rainbow.” The unicorn is, of course, disguised as a florescent reindeer because I’ve been dying to paint this fellow.

My palette doesn’t have the gamut for his lovely pink mane. Carmine, naphthol red, quinacridone violet, quinacridone rose—none comes close to sufficient saturation. The blacks are much easier—two lights and two darks, warm and cool, covering the various lighting situations in my studio.

I flipped through my landscape sketches intending to use the first one with sky as the setting. It’s my own front-yard—well, what could be more appropriate? I decided to make it winter, however.


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Pretty in Purple

A student left some carbazole violet behind; I did two small sketches in the holiday spirit.

“Mary’s shoes,*” 6X8 oil on board

“Happy New Year,”

6X8 oil on board

*To answer your questions: Mootsie Tootsies; silk; for a prom; yes, they were on sale at Kohls; they came in black too; no, you can’t borrow them.

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A Still Life

Two peppers snagged from pizza-making, oil on canvas, 8X6

For several years I asked myself when would be a good time to take a sabbatical from career development, to focus only on painting. Economic malaise presents the perfect opportunity, so I took 2010 as a year to pursue intentional isolation. My plan was simple: no marketing, only one show, even less blogging. Instead, I would spend my time in my studio painting and working with those students who were at hand.

The year of stillness is now done, and I am glad of it—both that I did it and that it’s finished.

Some of the risks proved real—for instance, when you stop showing, you stop selling. Students wander off, and if you aren’t looking for new ones, you eventually find yourself pretty lonely. On the other hand, you’re able to look at your own work independent of others’ opinions, and you become very invested in the students you retain.

I’d like to be able to recount some sort of spiritual journey which resulted not only in enlightenment but also in a tidy little book deal, but if that happened, I missed it. On the other hand, I did get much better at sketching every day—especially in church.

I also got into the habit of doing a daily small still life (6”X8”). These are “gesture paintings.” With rare exceptions, they take me 1:20 or less to finish. This is from New Year’s Day, 2011—a new year, a new decade, and back to engaging with the world.

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Five plein air sketches by a student and friend

Students do wonderful things. Here are five landscape paintings recently entered by Marilyn Feinberg in the GVPAP show at Barnes & Noble—all five were accepted.
Expressway entrance at South Winton Road, about 12.5X10, oil. (These are not titles, but descriptions, since I don’t know the titles.)
My backyard when the roses were in bloom, about 12X12, oil.

Adirondack swamp, about 8X8, oil.

Marilyn’s backyard, about 8X10, oil.

Our grill, about 8X10, oil.

These paintings will be on display in the community room at Barnes & Noble, 3349 Monroe Avenue, Rochester, through January 27. The reception and awards ceremony will be on Saturday, January 8 from 4 – 6 pm.

Marilyn is certainly talented—no doubt about that. But she brings to mind that famous Thomas Edison quote: “Genius is one percent inspiration and ninety-nine per cent perspiration. Accordingly, a ‘genius’ is often merely a talented person who has done all of his or her homework.”

And on that note, I’m getting to work.

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Merry Christmas!

My male friends can go back to alphabetizing their Beatles collection. My middle-aged women pals will recognize this as a bottle angel—what we were making while they were building forts and playing that ugly Danelectro guitar in the family room.

She was made in 1968 or thereabouts, which is why she is wearing a chic turquoise burlap gown with cotton batting for trim. She’s bedraggled and filthy and her dress is unraveling, but she has been on our Christmas tree ever since my mom decided I was finally old enough to take care of her (I was 35 or thereabouts). This year my mom gave me her own tree angel, a delicate porcelain doll with batiste skirts that glow in the tree lights. My own bedraggled angel moves over to join the psychedelic reindeer and the blonde German Santa in the niche.

My friend Kristin Zimmermann paints portraits of sentimental things that must move along—her Kitchen-Aid mixer, her Christmas ornaments, and her Singer Featherweight sewing machine, among other things. They are delightful paintings. I’m trying to paint a small still life every day before moving on to more important things—6X8, not to take more than an hour. I think I’m going to borrow her idea for a while.