Perhaps women make less money because we tend to take our careers less seriously than men do.
American Eagle in Dry Dock, by Carol L. Douglas |
Iāve written about gender inequality in prices achieved by male and female artists. Iāve also writtenabout the gender gap in the broader arts industry. Women in the arts earn 68Ā¢ for every dollar earned by men. Thatās far worse than in the overall economy, where women can expect to earn 79Ā¢ for every male-earned dollar.
Thereās gender disparity in arts prizes, too. We see it at every awards celebration. Itās somewhat puzzling because the judging for art prizes is usually āblindā, meaning the juror doesnāt know who the artist is. However, thatās a leaky bucket, since most of us recognize each otherās work even when the work isnāt signed.
Dinghy, Camden Harbor, by Carol L. Douglas |
If work is genuinely judged without knowledge of who the artist is, what do judges see in menās work that they donāt in womenās work? Men tend to paint bigger at plein airevents; they buy into the clichĆ©, āgo big or go homeā more than women do. Bigger work is flashier and more likely to catch a jurorās eye. Thatās about the only qualitative gender-based difference Iāve seen, and itās hardly absolute. Iāve strained to look for them, and differences in subject matter, competence, temperament or viewpoint are simply not there.
Lisa BurgerLentz and I were chatting last week about the idea of professionalism. She proposed that artists who define themselves as professionals tend to earn more money than those who see themselves as dedicated hobbyists or amateurs. I looked around the sales floor at Adirondack Plein Air and thought she was right. Those painters who see themselves as pros charge more money and put effort into creating a consistent package of framing, image, and product. They have developed a sales patter that works. To be a professional artist, you do a lot more than create beautiful work.
Bev’s Garden, by Carol L. Douglas |
Bobbi Heath and I drove to Long Island Beach, New Jersey, yesterday for Plein Air Plus. In her prior life, Bobbi was a tech project manager who worked in entrepreneurial start-ups. She brings those management skills to her art career. āNo one else bestows on you the title of āprofessional.ā You decide whether youāre a professional or not. Itās not about how much you sell. It is based on your view of yourself. Being a professional is about how you approach your work. Itās an attitude that you have about yourself and your career.ā
None of this has anything to do with artistic brilliance. I assume that anyone reading this is already striving to be the best painter he or she can be. In the marketplace, artistic brilliance is a chimera. Itās irrelevant to sales, because thereās a market for anything. Itās also a subjective definition.
Keuka Clearing Sky, by Carol L. Douglas |
Perhaps women make less money because we tend to take our careers less seriously than men do. We shy away from the hard work of comparative pricing, marketing, and market development, partially because those arenāt areas we have any experience in. We tend to see our low income as an indictment of our worth, rather than a stage in our business development. If thatās the case, weāre shooting ourselves in the foot.